Millet’s painting ‘The Gleaners’ was received with shock by the Salon when it first emerged in 1857. Similarly to many Courbets paintings, ‘The Gleaners’ was argued to be glorifying the lower-class workers. However, Miller paints ‘The Gleaners’ with sympathy, to remind that upper classes that French Society is built upon the lower working classes.
‘The Gleaners’ imagery of bending women has influenced many other arists
such as Pissarro, Renoir and van Gogh. The Gleaners is one of
Millet's best known works. Art historiean Robert Rosenblum says Millet’s
painting introcuded “imposing new presnces in the reperoy of mid-century art,
with wendless progency in city and country. Daumier’s and Degas’s laundresses,
even more so Caillebotte’s floor-scrapers, are almost unthinkable without
Millet’s epic hymn to labor’
Sources:
http://www.artrenewal.org/
http://www.jeanmillet.org/
http://www.artcyclopedia.com/artists/millet_jean-francois.html
http://www.artrenewal.org/
http://www.jeanmillet.org/
http://www.artcyclopedia.com/artists/millet_jean-francois.html
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