Sadface. It's all over. I had such an amazing and insightful experience at The Juilliard School. I have returned back to Glasgow equipped with new skills and a determined drive to succeed.
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le don pasquale set on stage! |
During my last week at Juilliard I spent a lot of time doing the jobs scenic artist dread doing, like washing endless buckets to an inch of their life, filling dodgy flats with plaster of paris and priming. However, I did not mind at all - I was just grateful I was there being to help in anyway I could.
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Wahoo, part of metallic gold portal! |
My final week was the week before Tech Rehearsal for Don Pasquale and therefore it was final touch up time! I painted the backs of the flats on stage in a dull grey colour so that there was no chance of raw wood being distracting. Even thought this seems like an unimportant it came evident to me that Juilliard have high attention detail. At RCS, we normally leave the backs of flat raw as we just presume they will never been seen, but at Juilliard they cover all their tracks, and this is something I will take back to Scotland with me. I also did a few other touch ups here and there for Don P. such as glazing the posters with Nick and Rachael, as well as painting some of the red wooden flats. It was interesting to see the process for the red flats, as at first glance it looks like they are paintined one shinny flat red colour, with a series of dark washes. However, the richness of the red flats are achieved by priming them in a dull red and glazing them with a very vibrant red - this was a technique I had never done before, and the results speak for themselves!
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La Donne |
The last few days I was there I was sent up to the third floor to help out in one of the studio theatres to work on the show La Donne. Along with Rachael and Hunter, I helped prep the walls for wall paper, which turned out to be quite laborious job. The large revolving walls where made up of several flats, but the seems weren't entirely flush so we had to use a lot filler and sometime time sanding down the surfaces to get a perfectly smooth surface for wall papering.
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The team in action |
On Friday I was gutted to be leaving. I wish I had opted for the longer secondment as I felt there was so much more I could learn in a professional environment and I even though I tried so much to to show my scenic talent, I felt I didn't get to show my skills off to their full potential.
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Before I left Rachael and I bought One Direction, painting watches .... I HEART 1D! |
I feel very fortunate that I got this amazing opportunity to work at Juilliard. I have an ambition in my scenic art to career to always to try work with people better then me so that I can aspire to be like them and so I can push myself to work alongside them to the best of my ability. At Juilliard I was lucky to work with a bunch of extremely talented individuals, all who gave me helpful guidance and made me feel very welcomed during my time in New York.
Well it's back to reality for me tomorrow. I'll be walking down Great Western road instead of Broadway to my paint my first commissioned painting! Wahoo! It's going to look a bit like this: